Fisheye lens

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Paul’s Shadow at Craters of Moon

Wednesday, February 24th, 2010

To explore with my mind, eyes and camera keeps me vigorous and appreciating life being lived. 

For years I have been fascinated with my shadows and my 18 mm full-frame “fisheye” camera lens.  

The lens gives the photographs wide 140-degree coverage and is most effective with an elemernt or two in the foreground to guide the viewer through the photograph.

"Paul at Craters of the Moon" © 1997 by Paul F. Moloney

I make photographs wherever I go using my shadow as a principal element. One of the most intriguing was my 1997 self-portrait at Craters of Moon National Monument in south-central Idaho (U.S. Hwys 26-93 about 20 miles southwest of Arco).  

Three black elements — my elongated shadow, the rectangular shadow in the upper left created by a cloud, and the sky produced by the 25 red filter — are the centers of interest and give the picture impact

The tubular lava flow formed the terraced landscape with the high angle sun hitting it from the left.  This enhanced depth, dimension.  The interplay of diagonal compositional lines develops the movement, action I initially imagined.

Each time I view “Paul at Craters of the Moon National Monument” I see and feel new excitement.  What about you? 

The ‘Fisheye’ Perspective

Tuesday, July 21st, 2009

 

"Larry Silver, 9, Freckles, Freckles, Freckles"  © 1978 by Paul F. Moloney

"Larry Silver, 9, Freckles, Freckles, Freckles" © 1978 by Paul F. Moloney

Thirty-one years ago I photographed at a Greeley, Colo., swimming pool’s opening, and when I saw 9-year-old Larry Silver with his freckles, freckles, freckles and wild red hair, he reminded me of my Dad, A.I. Moloney’s, love for redheaded and freckle-faced kids..

 

In those days I often used an 18 mm full frame “fisheye” lens for my camera, and creatively utilized it.  I still do, for it is an innovative lens.  

 

Larry obliged me in his youthful pose, flashing an engaging smile, and the resulting 1978 portrait is featured in my book, “Friends and Celebrities,” 2001. 

 

Early this year Larry sent me an e-mail wondering if he could purchase an enlarged copy of the photograph.  We exchanged e-mails then in April, I met him at his mom’s home in north Greeley.  

 

We updated each other, and a month ago at Centennial Park‘s swimming pool I took the “Now” portrait of him to go with the “Then” portrait.

"Larry Silver, 40, No Freckles Now"  © 2009 by Paul F. Moloney

"Larry Silver, 40, No Freckles Now" © 2009 by Paul F. Moloney

Everything but his expression had changed.  He’s now 40 and has virtually lost his freckles.  His well trimmed hair is turning gray.  The pool is now bordered by a large slide which is extremely popular.

 

Larry, who lives at Martinsville, Ind., is an airline mechanic.  He still swims at every opportunity.  His regular swimming mate is his 9-year-old daughter, Heidi.

 

The lens I used for my SLR 35 mm camera the 1978 and 2009 panorama portraits covers 140 degrees viewing range or angle. The circular distortion of the lens creates an almost surrealistic perspective with Larry’s face turning out a bit more plump than normal. He posed at a slight angle. But his face is still realistic because I positioned it in the right-center of the pictures.  

 

Lines become curves in the surroundings.  The pool is rectangular and with a traditional perspective they would be “stationary” whereas with the “fisheye” lens they became a much more “active” curved scene.