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Easter Brings Us Flowers

Friday, April 2nd, 2010

For many Easter marks the end of Christian sadness and the beginning of new life which is represented beautifully by the spring blossoms from lilies, cherry blossoms, tulips, crocuses to orchids.

"Phalaenopsis Orchid in Color" © 2010 by Paul F. Moloney

 

"Phalaenopsis Orchid in Black and White" © 2010 by Paul F. Moloney

 

I walked by and noticed my wife’s Phalaenopsis Orchid with its flourish of delicate purple colored 2 1/2-inch blossoms — 20 in all.

This wonderful arrangement caught my attention and I got out the digital camera and did a close-up. Then I converted the picture from color to black and white.

I’ve been a lifelong flower photographer, and I find both mediums are wonderfully descriptive. Color renders the blossoms realistically, while B&W gives them dramatic lighting values and detail — aesthetic qualities I truly love and enjoy.

May these two orchid pictures – at least one — inspire you to look at life up close especially during this joyous Easter holiday. 

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Description of the Phalaenopsis Orchid from OrchidWeb.com:  

“Commonly referred to as the “moth orchid, Phalaenopsis are one of the longest blooming orchid genera producing flowers that last from 2 to 6 months before dropping. Phalaenopsis have also been known to bloom 2 to 3 times per year once they have reached a mature size.”

Fleeting Moment

Wednesday, February 10th, 2010

 

"Mt. Blanca, Colorado" © 2010 by Paul F. Moloney

 

Nature provides spectacular fleeting moments, and I am grateful to be alert and can capture such a moment on film. This happened a couple weekends ago.

I had been experimenting with Rollei 820 Infrared film and had switched to another camera with an 180 mm lens with a 25 red filter and Kodak T-max 100 film when … 

Sierra Blanca at the east portal to Colorado’s San Luis Valley peeked its primary peak, Mt. Blanca, through a shroud of blustery clouds. The red filter intensified the contrast by darkening the sky to almost black and whitening the clouds and snow.

I was on the San Luis Valley  floor, about 6500 feet below Mt. Blanca’s crest. I shot two frames at F/11 and 1/250, and the moment vanished. 

The dramatic situation is indelible and brought my attention to a Branch Rickey quote when his Brooklyn Dodgers won the 1955 World Series over the New York Yankees:  “Luck is the residue of preparation.”

Let’s continuously look out or search for opportunities, and of course, prepare for them.

Colorado National Monument Revisited

Tuesday, November 17th, 2009

 

Geological Fingers" © 2009 by Paul F. Moloney

"Geological Fingers" © 2009 by Paul F. Moloney

My photographic life is becoming a revisit of  Western America with my cameras, and it is invigorating.  In October my family and I leisurely drove through Colorado National Monument between Fruita and Grand Junction on the Western Slope.  

 

On Sunday afternoon the light was mundane, but Monday morning we enjoyed a field day of picture making.  The highlight and shadow relationships were graphic, full of depth perception that makes photography wonderful.  Colorado National Monumental was picturesque and memorable.

"LIght and Form"   © 2009 by Paul F. Moloney

"LIght and Form" © 2009 by Paul F. Moloney

 

Son Kevin, who is a freelance photographer, was intrigued at Artists’ viewpoint with a balanced rock on an overhang.  He recalled a picture of Colorado pioneer photographer William Henry Jackson with a view camera on top of an overhang, entitled, “In the Rockies, 1873,” and asked me to replicate the picture.

 

"The Adventurer"   2009 by Paul F. Moloney

"The Adventurer" 2009 by Paul F. Moloney

Dramatic 1873 photograph of Colorado pioneer William H.. Jackson

"In the Rockies," dramatic 1873 portrait of Colorado pioneer photographer William H. Jackson.

 

A gust of wind hit us and I, being only 118 lb. almost toppled over.  Kevin, a larger man, was unfazed.  When he came off the balanced rock, the family was relieved.

 

Please click onto 

 

<http://blog.kevinmoloney.com> 

 

and/or

 

<http://www.kevinmoloney.com>

 

to see Kevin’s photography.

The Great Blue Heron in Flight

Wednesday, October 28th, 2009

 

"Born Free"   © 1973 by Paul F. Moloney

"Born Free" © 1973 by Paul F. Moloney

I went to work for the Greeley, Colorado, Tribune as sports editor in November 1956, and Editor Floyd E. Merrill told me: “You’re also the sports photographer.”  

 

I went to my apartment frustrated, for I knew little about photography.  Dad, A.I. Moloney, had advised me, “Always fill the job description.”  So I did, and the next spring, 1957, Mr. Merrill awakened me about 6 a.m. on a Sunday morning.

 

My mentor asked, “Would you like to go with me to photograph the Great Blue Heron at Fossil Creek reservoir?”  I promptly said, “Yes.”

 

This opportunity was an intensification of Mr. Merrill’s teaching me to photograph action.  “Be calm and observant and react as the hunter,” Mr. Merrill repeatedly advised.

 

We went together a couple more times, and, of course, my pictures left considerable to be desired.

 

But I was hooked.

 

I’ve really enjoyed this magnificent bird in flight.  I’ve continued observing the Fossil Creek Great Blue Herons for years. The times I went were just after the spring hatch and the parent birds were feeding the young.  I watched them land and take off through the viewfinder.  What a spectacle.

 

“Born Free” was made in 1973.

 

The rookery is a couple miles north and west of the I-25 and U.S. 34 intersection between Greeley, Loveland and Fort Collins..

“The Valley” Is Colorado’s Beautiful Land

Tuesday, September 1st, 2009

 

Early and late in the day, Colorado’s arid San Luis Valley on the state’s southern border with New Mexico flourishes in beauty. It is my treasured locale for landscape photography, and I return often.

"Ant Hill and Mt. Blanca"   © 1988 by Paul F. Moloney

"Ant Hill and Mt. Blanca" © 1988 by Paul F. Moloney

Mt. Blanca, a tight group of peaks the Hispanic settlers called, “Sierra Blanca,” is the eastern gateway to the “The Valley,” a dried up lake bed that is the size of Rhode Island. Today “The Valley” is an abundant, varied agricultural area.

 

Four pinnacles form the Sierra Blanca group: Ellingwood to the north, Blanca Peak, Little Bear and Lindsey Peak to the south and east. Sierra Blanca looks like a single peak to the passersby on U.S. Hwy 160. 

 

The ant hills are huge and thrive in the sandy soil.  In 1988 just after sunrise, I photographed “Ant Hill and Mt. Blanca,” above, just after sunrise with Mt. Blanca about 40 miles to the north and west. The location was at the edge of Colorado Hwy 159 about three miles west out of  San Luis. The highway heads 17 miles south to Costilla, N. M., from San Luis, Colorado’s oldest town established in 1851.

En El Valle de San Luis"    1966 by Paul F. Moloney

En el Valle de San Luis" 1966 by Paul F. Moloney

In 1966 I took Colorado Hwy 142 between San Luis and Romeo on U.S, Hwy 285 and made this photo, “En el Valle de San Luis,” just east of U.S. Secretary of Interior Ken Salazar’s and fabled boxer Jack Dempsey’s hometown, Manassa, a community of 1,042 (2000). 

 

There the late afternoon light made the sage and rabbit brush glisten and the mesas graphic. The clouds were abundant, harmless and fascinating. At midday both landscapes would have been mundane and muddled in middle tones.

Welcome

Sunday, May 24th, 2009

Our eyes catch the attention but it is our minds and their feelings that enable us to see and interpret what is before our cameras or what we create with our photography.

With this blog I’m expanding to the Internet my Wondering, Wandering Photographer column, which I’ve now done 35 years for the Greeley, Colo., Tribune.

"In the Beginning" -- Great Sand Dunes National Park, Colo. © Paul F. Moloney

"In the Beginning" -- Great Sand Dunes National Park, Colo. © Paul F. Moloney

I was 14 years old (1949) when my father inspired my lifetime of photographing life being lived.

I interrupted him with my babble about baseball while he was typing a business letter. He pushed himself away from his desk, stood up, took me by the shoulder, clutched me to his heart and looked straight into my eyes: “Paul, the world’s most successful people are the best listeners.”

He said it only once. What did Dad mean? I saw a wonderful command in his eyes, and this got me to thinking and feeling.

There isn’t a day ever since that I repeat to myself his meaningful advice. This continually inspires me and is the foundation of my photography as communication and art.

Another inspirational person was photographer André Kértész, an immigrant from Hungary who continues to touch readers with his sensibility and elegent work. I often think about him, and I always practice his advice:

“Seeing is not enough.  I don’t photograph what I see.  I photograph what I feel.  The camera can see but that is not enough. You have to feel what you photograph.  If the feeling is not there, why bother.”

To feel as Kértész and I feel, it takes all of  our senses — sight, sound, touch,  taste, wonder, common and humor — to accomplish our goals.

In 2001 I produced my third book, “Friends and Celebrities,” which highlights then 45 years in photojournalism. Though the medium is dramatically changing, it is my intention to express my feelings artistically and journalistically for as long as possible.

In his early years at Life magazine, Alfred Eisenstaedt described his photography as “a witness to our time.”

I wish to share this inquisitiveness, the answers and solutions with you.

In creating the title for my Tribune column, I found I am an inveterate wonderer and wanderer, and to explain:

“Paul Moloney has always ‘wondered’ about life, marveled at and admired the beauty God has granted the world — and ‘wandered,’ roamed, roved with his cameras.”

I’ll punctuate with periods (.) and question marks (?) rather than an exclamation mark (!). In that way we will be “the world’s best listeners.”

Welcome.

Vedauwoo, Wyo. May 2008, left; September, 2008.  Yosemite National Park was then lifeblood to master American landscape photographer Ansel Adams.  I love the Rocky mountains and find areas that the four seasons are quite beautiful and unique. The image, right, was made in September 2008. In May the weather was terrible, but I still photographed, left.  The white snow gave the picture dimension. © 2008 Paul F. Moloney

Vedauwoo, Wyo. May 2008, left; September, 2008. Yosemite National Park was then lifeblood to master American landscape photographer Ansel Adams. I love the Rocky mountains and find areas that the four seasons are quite beautiful and unique. The image, right, was made in September 2008. In May the weather was terrible, but I still photographed, left. The white snow gave the picture dimension. © 2008 Paul F. Moloney