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Paul’s Shadow at Craters of Moon

Wednesday, February 24th, 2010

To explore with my mind, eyes and camera keeps me vigorous and appreciating life being lived. 

For years I have been fascinated with my shadows and my 18 mm full-frame “fisheye” camera lens.  

The lens gives the photographs wide 140-degree coverage and is most effective with an elemernt or two in the foreground to guide the viewer through the photograph.

"Paul at Craters of the Moon" © 1997 by Paul F. Moloney

I make photographs wherever I go using my shadow as a principal element. One of the most intriguing was my 1997 self-portrait at Craters of Moon National Monument in south-central Idaho (U.S. Hwys 26-93 about 20 miles southwest of Arco).  

Three black elements — my elongated shadow, the rectangular shadow in the upper left created by a cloud, and the sky produced by the 25 red filter — are the centers of interest and give the picture impact

The tubular lava flow formed the terraced landscape with the high angle sun hitting it from the left.  This enhanced depth, dimension.  The interplay of diagonal compositional lines develops the movement, action I initially imagined.

Each time I view “Paul at Craters of the Moon National Monument” I see and feel new excitement.  What about you? 

Fleeting Moment

Wednesday, February 10th, 2010

 

"Mt. Blanca, Colorado" © 2010 by Paul F. Moloney

 

Nature provides spectacular fleeting moments, and I am grateful to be alert and can capture such a moment on film. This happened a couple weekends ago.

I had been experimenting with Rollei 820 Infrared film and had switched to another camera with an 180 mm lens with a 25 red filter and Kodak T-max 100 film when … 

Sierra Blanca at the east portal to Colorado’s San Luis Valley peeked its primary peak, Mt. Blanca, through a shroud of blustery clouds. The red filter intensified the contrast by darkening the sky to almost black and whitening the clouds and snow.

I was on the San Luis Valley  floor, about 6500 feet below Mt. Blanca’s crest. I shot two frames at F/11 and 1/250, and the moment vanished. 

The dramatic situation is indelible and brought my attention to a Branch Rickey quote when his Brooklyn Dodgers won the 1955 World Series over the New York Yankees:  “Luck is the residue of preparation.”

Let’s continuously look out or search for opportunities, and of course, prepare for them.

Death Comes to Fosston, Colorado

Monday, January 25th, 2010

"Fosston, Colorado, Water Tower" © 1977 by Paul F. Moloney

 

Thirty-three years ago in May fellow Greeley, Colo., Tribune reporter Lynn Heinze wrote about Fosston’s only remaining structure, a long abandoned tower that housed the indoor plumbing’s water supply to H. W. Foss’ home.    

His story fascinated me. In August 1977 my Aims Community College photo student Kathy Fiolkoski and I photographed the tower that brought us visual nostalgia. Wind finally took its toll, and I returned to the vanishing community just off Colorado Hwy 392 between Cornish and Briggsdale in northeastern Weld County. 

It was terribly sad, for the tower was flattened. I returned this past summer  en route to Keota, another vanishing northern Colorado community, and found only crumbling concrete foundations and a withering tree — certainly not photogenic.  

So, I am reproducing my November 25, 1977 column for those unfamiliar with the Fosston landscape in 1977 and its history:  “The historic Foss home at Fosston is dead, a victim of weather and vandals. 

Heavy winds in August 1977 blew over the tower with the skeleton flattened to the ground.

The tragedy of the Foss tower is that “vandals weakened the structure to the point that it couldn’t withstand the wind,” Fosston area farmer Tom Tabor said in explaining the end of the building.

“I shall be forever thankful that I made several pictures of the tower last May (1977).  I approached it from every angle I could think of, including an ‘ant’s eye view’ of it using my extreme wide-angle ‘fisheye’ lens.

"Fosston Taken with Wide-Angle 'Fisheye' Lens" © 1977 by Paul F. Moloney

 

“The Foss home was built in 1909. It was a seven-room building with a tower at the south end.  Atop the tower was a water tank. Water flowed down, enabling the Fosses to have indoor plumbing, the first indoor plumbing in Weld County.

“Fosston, which was on the Union Pacific spur railroad, thrived until 1921. The Foss tower began withering away. The tower, age 68, inevitably fell to the wind in August 1977.

“Tribune farm reporter Lynn Heinze in November 1972 did a photo feature on the Foss home and tower.

“In reviewing his pictures, I found that in the last five years the effects of weather and vandals were ravaging.  Lynn had a picture of the tower’s pinnacle, and it was still plumb in 1972.  In May 1977 it leaned heavily to the east.

“Heinze wrote: “ ‘What started out as a routine photo trip ended as quite an adventure. I was driving along the dirt road (WCR 392) which connected Cornish and Briggsdale when I came upon what I thought was an old mill of some sort.

“ ‘It was quite a challenge for a photo buff, an area very beautiful in its own humble way.  As I began to shoot away, I couldn’t help but wonder what purpose the structure had actually served’.”

“Heinze searched for someone in the Fosston area to interview about the building.  He talked to author Mrs. Dorothy Bolin.

“ ‘… Mrs. Bolin grew up in the area, knew the people, saw the building and was able to tell me a brief history of the town which once prospered at the site.

“ ‘The structure which I had photographed was the remains of the very fashionable and modern home of the Foss family. The home, built in 1909, was the first in the area to be equipped with indoor plumbing. The structure I believed to be a mill was actually the water tower which provided needed pressure for the plumbing system.

“ ‘The Foss home had seven rooms in the main structure with three ‘utility rooms’ in the tower.  Mrs. Bolin told me the home was quite stylish and beautifully landscaped.

“ ‘… At its peak, Fosston had about 25 residents. It became so prosperous that it rated a railroad depot agent to look after things.

“ ‘The town and the mercantile business prospered until about 1921 when fire destroyed the store building.  By this time, the elder Foss no longer operated the store himself, and the man who had leased the store disappeared after the fire.

“ ‘The home was occupied until the early 1940s when property was sold to a man from the Loveland area.

“ ‘As fitting memorial to a grand home, the house, barn and other buildings were dismantled and rebuilt as a new home on a site near Loveland.

“ ‘Today (November 1972) only the old water tower stands.  Proudly its weathered face oversees the townsite of Fosston.

“ ‘But the water tower, which once symbolized a new era, today (1972) symbolizes a dream which has passed into the night’,” Heinze concluded. “Unfortunately, now there is no symbol at all.”

For more history read “Then Fosston Story” section of “Three Coins:  Cornish, Osgood and Fosston,” by Dorothy Bolin, copyright 1980.

Also, “Homesteading the Dryland:  A History of Northeast Weld County, Colorado,” Bud Wells, editor, copyright 1986 by Curtis Media Corporation.

Both publications are at the Greeley Museum.

Colorado National Monument Revisited

Tuesday, November 17th, 2009

 

Geological Fingers" © 2009 by Paul F. Moloney

"Geological Fingers" © 2009 by Paul F. Moloney

My photographic life is becoming a revisit of  Western America with my cameras, and it is invigorating.  In October my family and I leisurely drove through Colorado National Monument between Fruita and Grand Junction on the Western Slope.  

 

On Sunday afternoon the light was mundane, but Monday morning we enjoyed a field day of picture making.  The highlight and shadow relationships were graphic, full of depth perception that makes photography wonderful.  Colorado National Monumental was picturesque and memorable.

"LIght and Form"   © 2009 by Paul F. Moloney

"LIght and Form" © 2009 by Paul F. Moloney

 

Son Kevin, who is a freelance photographer, was intrigued at Artists’ viewpoint with a balanced rock on an overhang.  He recalled a picture of Colorado pioneer photographer William Henry Jackson with a view camera on top of an overhang, entitled, “In the Rockies, 1873,” and asked me to replicate the picture.

 

"The Adventurer"   2009 by Paul F. Moloney

"The Adventurer" 2009 by Paul F. Moloney

Dramatic 1873 photograph of Colorado pioneer William H.. Jackson

"In the Rockies," dramatic 1873 portrait of Colorado pioneer photographer William H. Jackson.

 

A gust of wind hit us and I, being only 118 lb. almost toppled over.  Kevin, a larger man, was unfazed.  When he came off the balanced rock, the family was relieved.

 

Please click onto 

 

<http://blog.kevinmoloney.com> 

 

and/or

 

<http://www.kevinmoloney.com>

 

to see Kevin’s photography.

Prairie Life Tough

Saturday, October 24th, 2009

 

"Keota Church & Water Tower -- 1976"   © 1976 by Paul F. Moloney

"Keota Church & Water Tower, 1976" © 1976 by Paul F. Moloney

 

"Keota Church & Water Tower -- 2009"   © 2009 by Paul F. Moloney

"Keota Church & Water Tower, 2009" © 2009 by Paul F. Moloney

 

The Pawnee Grasslands of northeastern Colorado with its ranches, wheat crops and clouds is special for me, especially in the late afternoon.  Bret Jenkins, a Greeley photographer, and I spent an afternoon recently photographing at Keota, now virtually a ghost town.

 

Bret had never been there, and one of the last times I photographed the town’s landscape and artifacts was in September 1976.  That’s 33 years ago, and when I returned home I compared those vintage pictures with those I took on this Sept. 30 outing.

 

A lot of wonderful history is visually vanishing, and I’ve promised myself to oblige longtime Keota resident Betty Bivens “to take only pictures.”

 

Ironically “Keota” is an Indian name meaning, “the fire has gone out,” so let’s enable the town to be remembered through our documentary and art works.  May they be many.

 

Betty resided for 57 years in Keota which was established in 1880 by siblings Mary and Eva Beardsley.  They sold it to the Lincoln Land and Cattle Co. in 1888, the year the Keota school district was created. In 1893 it had eight pupils then in 1893 just three.  

 

Students later were transferred to Grover, Briggsdale or New Raymer schools. The school building was torn down in the 1950s, Betty Bivens recalled.

 

In the 1890s Keota experienced a bust because of drought then in 1909 a wet period ensued with homesteaders coming from Iowa.

 

Early Keota was a station stop for the Burlington-Missouri Railroad which transported primarily cattle.  Keota was one of the important stops along the railroad which was nicknamed, “Old Prairie Dog Express.” The station was abandoned in 1975 and the track removed.

 

In 1911 A.C. Hammond established the Keota newspaper, the News, and sold out to Clyde Stanley in the fall.  Stanley operated it as a “job shop” — printing plant — until 1973.  

 

Keota lost its incorporation status in 1990.

 

Betty’s husband, Dean, maintained the county gravel roads for over 30 years. He died in 1998, and in 2003 Betty moved to the Cheyenne, Wyo., Care Center.  This Oct. 5 she celebrated her 82nd birthday.

 

Betty worked 7 1/2 years for the Greeley animal shelter and got many animals adopted.  Some she took home with her the 50 miles from Greeley to prepare them for adoption, including the Moloneys’ only dog, Max, a Norwegian Elkhound.

 

The Bivens Keota property is now owned by her son, Rich and his wife Paula of Hillsdale, Wyo.  No Bivens family members reside in Keota now.  The family home sadly burned down three years ago.

 

Keeping Keota alive today are Charles and Theresa Lee and Rich Pedon.  Lee succeeded Dean Bivens as the county roads maintenance man.  In 2000 the Keota census was five, and it still is, Betty said.

 

Betty and Dean were very protective of Keota.  “To avoid vandalism I chased people off and was known as the ‘Keota witch’,” she remarked.”  Recently vandals damaged the grocery-general store-post office’s windows and doors.

 

"Rust Covered Fireplug, Wheel Barrel & Kitchenware"   © 2009 by Paul F. Moloney

"Rust Covered Fireplug, Wheel Barrel & Kitchenware" © 2009 by Paul F. Moloney

A Moment with Ansel Adams

Friday, October 9th, 2009

 

"It's for Daddy" © 1976 by Paul F. Moloney

"It's for Daddy" © 1976 by Paul F. Moloney

Ansel Adams, America’s most fanous landscape photographer, was a gracious man.  When 7-year-old Carolyn Koch of Boulder, Colorado, approached him with a copy of his book, Photographs of the Southwest, a smiling Adams asked how she’d  like it signed.  

 

“To Dave,” she responded bashfully, looking slightly up and away from Mr. Adams.

 

“He’s my Daddy.  It’s his Christmas present.”                                                 — From Friends and Celebrities

 

That was December 6, 1976, at Boulder, Colorado’s Printed Page bookstore. People waited at least two hours to meet Mr. Adams and for him to autograph their books — me included.

 

When Ansel Adams arrived he came in through the back room and walked smiling down the aisle to his table. I was in awe. He seemed 7 feet tall and weighed 250+ lbs. When reality hit me he was more like 5 ft 10 or 11 in. tall and weighed about 200 lb.

 

We visited briefly at the session’s end, and I was honored when he signed my book, “For my Photographic Friend, Paul Moloney.    Ansel Adams.     Boulder 12-6-76.”

"A Glint in His Eyes -- Ansel Adams"  © by Paul F. Moloney

"A Glint in His Eyes -- Ansel Adams" © by Paul F. Moloney

I sent contact sheets of my photographs to Mr. Adams.  He replied, “I would like to keep them in my archive if that is alright with you.”  I was honored.

 

He added, “The next time you come to Carmel (California) you must come for a visit.  Just give me a call about a week ahead to make an appointment. I will look forward to seeing you again for a good talk.”

 

In 1983 the time arrived, and I phoned to arrange a meeting, but his secretary said, “I’m sorry, Mr. Moloney, Mr. Adams will be entering the hospital for tests.” He died April 22, 1984 at age 82.  

 

Also a conservationist, Ansel Adams worked tirelessly in promoting the national parks system — particularly Yosemite — with his dramatic red filter photography with the skies richly black and the clouds billowy white.  His landscapes gave me a foundation for my photography.

Carhenge — The Third Decade

Friday, September 25th, 2009

 

"Carhenge in Infrared"  © 1997 by Paul F. Moloney

"Carhenge in Infrared" © 1997 by Paul F. Moloney

Photographic Exploration

 

My visual (photographic) explorations of Carhenge, a unique automobile replica of England’s world renown Stonehenge, began in 1991 when the Martin George family took the Moloneys to the monument just north of Alliance, Neb., on Nebraska Hwy 87 (then US 385).

 

Last weekend, Sept 18-20, I extended my explorations from the Widelux panorama camera and red filtered black and white photography in 1991 to digital color and full frame “fisheye” wide-angle photography in 2009, the beginning of my third decade with Carhenge a principal subject.  

 

I returned in 1997 to photograph with Kodak High Speed Infrared film and employed 180 mm telephoto compression for many of my pictures.  

 

Technology is continually changing and inspires my visual and verbal responses and creations.  Artistic and documentary expression is simply wonderful. So, I anticipate future outings to Carhenge.  

 

"Trilithons"  © 1997 by Paul F. Moloney

"The Trilithons" © 1997 by Paul F. Moloney

The Jim Reinders Impact

 

In the mid-1900s Alliance’s Jim Reinders resided in the south of England, near Stonehenge which was discovered by Sir John Aubrey in 1648. He described the huge “trilithon” arrangements as a prehistoric temple. A trilithon is two vertical stones that support a horizontal stone, making Stonehenge unique.

 

Reinders learned everything he could about Stonehenge, and when he returned to Alliance to farm he set aside a portion of his property for Carhenge. He decided that automobiles were about the size of the stone slabs. He designed his monument similarly to Stonehenge but died in 1982 before achieving his artistic goals.

 

Jim and 35 members of the Reinders family felt the building of Carhenge would be a magnificent memorial to father Herman and in 1987 they dedicated Carhenge to Herman Reinders.  

 

The Friends of Carhenge was  organized to maintain and promote Carhenge.  Paul Phaneuf (pronounced, “Fan-if”) was named director, and expanded the circular site to include a perimeter of automobile art open to other artists. It is named, Car Art Reserve

 

Phaneuf died in 2004, and Carhenge is not as neatly maintained, but it is still the source for imagination, especially the children.  Phaneuf placed a sedan at the west entrance to the Carhenge circle and the youngsters use the top of the car as a slide while the adults use it as a backdrop for family pictures.

 

"Dramatic Verticals and Horizontal"  © 2009 by Paul F. Moloney

"Dramatic Verticals" © 2009 by Paul F. Moloney

Stonehenge

 

Wikipedia, the free online encyclopedia, aptly describes Stonehenge:

 

“Stonehenge is a prehistoric monument located in the English county of Wiltshire about 3.2 kilometers (2 miles) west of Amesbury and 13 kilometers (8.1 miles) north of Salisbury (south-central England).

 

“One of the most famous sites in the world, Stonehenge is composed of earthworks surrounding a circular setting of large standing stones and sits at the centre of the densest complex of Neolithic and Bronze age monuments in England, including several hundred burial mounds.

 

“Archeologist had believed ed that the iconic stone monument was created around 2500 BC.”

 

The Pictures

 

I firmly believe that not only is artistic photographic technique important but also every picture has its story.

 

The Home Page banner image, “Julie George, 5, Plays at Carhenge, Alliance, Neb.,” is my favorite from the 1991 outing. The panoramic viewpoint emphasizes Julie’s diminutive body and describes the circular format of Carhenge. Now 24, Julie just completed a tour of wild fire fighting in Alaska and has moved to Moab, Utah, to be a tour guide in the canyon land country.                        

 

The glow from Kodak High Speed Infrared film makes “Carhenge in Infrared” an outer-world image from an earthly location. Kodak discontinued making the film. Fortunately other manufacturers are now filling the void. Carhenge continually whets my imagination.

 

“The Trilithons” are monuments of two vertical cars supporting one horizontal car. Carhenge has placed them in a circular format as did the creators of Stonehenge with the stone slabs. I brought the trilithons close together with my 180 mm telephoto lens. The red filter converted the sky to shades from dark gray to black, while lightening the gray paint of the cars.

 

“Dramatic Verticals” (cars) lift the 1940s Willys Jeep pickup truck and a vintage Plymouth (background). The truck has become my favorite vehicle at Carhenge because of its differing shape.  Early morning sun created strong shadows and highlights giving the scene depth. The digital camera and color are new to my repertoire of technology.

 

"Backlit Monuments"  © 2009 by Paul F. Moloney

"Backlit Monuments" © 2009 by Paul F. Moloney

“Backlit Monuments” are graphic. My full frame 18 mm “fisheye” wide-angle lens made the horizon slightly curved, thus mimicking the Carhenge-Stonehenge circular format. The foreground car, added to Carhenge in the 1990s by Paul Phaneuf, is the highlight for visitors. The children slide down from the hood over the roof, while adults use it as a backdrop for family portraits. Behind this car is a classic 1962 Cadillac with its “fins.”

“The Valley” Is Colorado’s Beautiful Land

Tuesday, September 1st, 2009

 

Early and late in the day, Colorado’s arid San Luis Valley on the state’s southern border with New Mexico flourishes in beauty. It is my treasured locale for landscape photography, and I return often.

"Ant Hill and Mt. Blanca"   © 1988 by Paul F. Moloney

"Ant Hill and Mt. Blanca" © 1988 by Paul F. Moloney

Mt. Blanca, a tight group of peaks the Hispanic settlers called, “Sierra Blanca,” is the eastern gateway to the “The Valley,” a dried up lake bed that is the size of Rhode Island. Today “The Valley” is an abundant, varied agricultural area.

 

Four pinnacles form the Sierra Blanca group: Ellingwood to the north, Blanca Peak, Little Bear and Lindsey Peak to the south and east. Sierra Blanca looks like a single peak to the passersby on U.S. Hwy 160. 

 

The ant hills are huge and thrive in the sandy soil.  In 1988 just after sunrise, I photographed “Ant Hill and Mt. Blanca,” above, just after sunrise with Mt. Blanca about 40 miles to the north and west. The location was at the edge of Colorado Hwy 159 about three miles west out of  San Luis. The highway heads 17 miles south to Costilla, N. M., from San Luis, Colorado’s oldest town established in 1851.

En El Valle de San Luis"    1966 by Paul F. Moloney

En el Valle de San Luis" 1966 by Paul F. Moloney

In 1966 I took Colorado Hwy 142 between San Luis and Romeo on U.S, Hwy 285 and made this photo, “En el Valle de San Luis,” just east of U.S. Secretary of Interior Ken Salazar’s and fabled boxer Jack Dempsey’s hometown, Manassa, a community of 1,042 (2000). 

 

There the late afternoon light made the sage and rabbit brush glisten and the mesas graphic. The clouds were abundant, harmless and fascinating. At midday both landscapes would have been mundane and muddled in middle tones.

Intriguing Viewpoints

Tuesday, August 18th, 2009

 

"Windmill and Barn"   © 2009 by Paul F. Moloney

"Windmill and Barn" © 2009 by Paul F. Moloney

Monday, July 27, I once again traveled northeastern Colorado’s I-76 through the southern edge of Weld County between Lochbuie and Hudson.  This is about 40 miles northeast of Denver.  I revisited the Clyde Peterson property two miles west of Hudson.  

The windmill and the deteriorating barn have always intrigued me because I wondered about their history — that I virtually do about everything and everyone I photograph.

 

This is the first time I photographed the windmill and barn in color, “Windmill and Barn.” A new camera really fulfilled my hopes and made an image unique in composition and content.

 

I got up at 5 a.m. and arrived at the Peterson place about 20 minutes after sunrise. I love early morning or late evening light because the low angle gives strong definition, dramatic shadow and highlight relationships, and the opportunity to do an occasional “self-portrait” of my shadow working with my camera.

 

I photographed “Paul’s Shadow” with my 24 mm wide-angle lens and placed the windmill in the upper right-center of the picture to get implied diagonal movement of the principal elements.

 

“Windmill and Barn” was made with the 180 mm telephoto lens to bring out the detail of the windmill blades and the peak of the barn roof.

 

I first contacted the Town of Hudson administrator, Joe Racine, and he got the property ownership information for me from his computer data base.

 

July 28 I phoned Helen Peterson, Clyde’s 97-year-old widow.  She celebrated her birthday three weeks ago.  She referred me to her son, Fred, of Brighton, a retired Delta airline reservation attendant.  He manages the property. 

 

Clyde purchased the farm in 1955. Fred guessed the barn was built in the early 1900s. The Petersons last painted it 30-35 years ago.  The windmill was installed in the 1920s and operated until five years ago.

 

Clyde served on the Weld Central school board and operated the Brighton Feed and Farm store.  He passed away in 1984 at age 80.  Wife Helen carefully managed the egg and chicken business all those years.

 

“Though the facilities are now idle, the windmill can be reactivated at any time,” Fred Peterson said. “It is in very good condition.”  The barn has not been painted for many years.

 

"Paul's Shadow"  © 2009 by Paul F. Moloney

"Paul's Shadow" © 2009 by Paul F. Moloney

To the right in the picture, “Paul’s Shadow,” is the building where the Petersons kept their playing chickens — 2400 of them. To the far right is their home which was relocated twice because of construction of adjacent I-76 and and the frontage road.


Fred reminisced:

 

“One Thanksgiving the turnbuckles holding a row of hens’ cages collapsed frozen from from the bitter cold.  About 400 chickens scattered everywhere.

 

“This was in early morning, and we worked into the late night to restore the cages, only to have another row collapse,” Fred said of the efforts of his mom, dad, two brothers and him.  “We didn’t lose a chicken,” he proudly concluded.

 

He is the oldest of the Peterson sons at 72. 

 

When I asked about his mom’s health, Fred said, “She still lives alone (in Thornton) and does the chores within her home.  She is hard of hearing, though.”

 

With this historical knowledge, the old homestead has become not only picturesque but also exemplifies life being lived. 

 

The story is not complete. Fred and I shall go together the next time I photograph, and he’ll open the buildings for me.

 

I’ll not wait too long to present the next visual chapter about the Peterson Family chicken farm.

Hoh Rain Forest’s Complex Beauty

Wednesday, July 29th, 2009

 

"A Loop of Moss"  © 2000 by Paul F. Moloney

"A Loop of Moss" © 2000 by Paul F. Moloney

The beautiful colors, including black and white, of nature’s flowers and plants have inspired me throughout my photography — a wonderful respite from the business of photojournalism.

 

Photographing plant life in the spring, summer and fall — even winter — is of principal interest. I generally make my photographs in both black and white and in color. The story I wish to tell is most important, and this dictates the medium in which I finally produce my photographs.

 

Each time I photograph I’m inspired by the beauty, wanting to visually describe its tale.  However, that story often must be fulfilled with word description. 

 

In 2000 my son, Lex, and I visited for the first time the Hoh Rain Forest in Washington’s Olympic mountains.  I was taken — even overwhelmed — by the complexity and richness of the plants, trees and fungus.  

 

I grew up in the arid San Luis Valley of south-central Colorado. There simplicity of elements was easy to manage at a glance.

 

In the Hoh Rain Forest everywhere there were complexities that obscured my vision.  I really searched to upstage nature’s virgin beauty. The highlights and shadows from the light solved the mysteries and gave me the images I sought.

 

"Nature's Tongue"  © 2000 by Paul F. Moloney

"Nature's Tongue" © 2000 by Paul F. Moloney

The growth’s patterns were fascinating. By adjusting my camera position, I found the fungus “sticking its tongue out at me.” — “Nature’s Tongue”

 

In positioning a loop of moss in front of the dark tree trunk, I upstaged it amongst the massive disarray of plants and trees with cross light that gave me definition and excitement. — “A Loop of Moss”

 

The uniqueness of the Hoh Rain Forest landscape became graphic and wonderful.